You’re everywhere and nowhere baby – or-
Odyssey Book V -Ogygia and the problem of Homeric geography
Ogygia! Ogygia! It’s only a model - or rather it’s an island, the island of Calypso, the immortal and sorceress daughter of the Titan Atlas who keeps Odysseus captive for seven years as her semi-reluctant boon companion and bedmate.
Odyssey Book V -Ogygia and the problem of Homeric geography
Ogygia! Ogygia! It’s only a model - or rather it’s an island, the island of Calypso, the immortal and sorceress daughter of the Titan Atlas who keeps Odysseus captive for seven years as her semi-reluctant boon companion and bedmate.
But where is it? This is a recurring problem with the place names in the Odyssey and I’m using Ogygia here as a symbol of that curious phenomenon. Lift up the name cover on a Homeric location and it could lead you halfway around the known and into the unknown reaches of the ancient Greek world. The connections are fascinating and bizarre..but leave us in the dark as to the precise whereabouts of these islands – perhaps deliberately so since we are trying to pin down legends and myths from as far back as the Greek dark ages. As is often the case, the links, dripping with mythical festoonery take us everywhere and nowhere.

Bernard Knox, quoted in the Introduction to the Robert Fagles translation of The Odyssey states a clear position on all this – and I think I tend to concur. In the section The Western Seas, he describes Eratosthenes’ disdain of such fruitless enterprises – demonstrating that these attempts to place the Odyssey in a meaningful or reality based geography have been ridiculed since antiquity, not that it seems to stem the flow of countless new theories as to the possible real world identity of many of the islands and strange shores that our hero found himself washed up upon.
The wanderings of Odysseus are rather a topography of the soul, the map of his changing fortunes, the places where the whim or ire of the gods may place us…the destinations are one of character or fate and the ways in which fate can be challenged and faced and ultimately overcome – though by means obscure and often uncertain. Odysseus is many wiled but is also many guised, hero, pirate, prisoner, escapee, hostage, guest, shipwreck – these then are the places he visits as a psychodramatic template overlaying the mysterious coordinates of the wine-dark sea – they are places inside himself and by extension places that exist in all of us as we navigate through the trials, joys and sufferings of existence.
Euge!
Euge!